(Pictures taken by holding LP sleeves up to the camera in the lid of my laptop.)
So far today, while working on a Very Important Project (something I have to remind myself that I’m doing), I’ve put on Adrian Belew’s ‘Desire Caught By The Tail,’ which is one of those records that is so amazing and wonderful, and yet so undescribable that I can’t really, well, describe it. The story goes that Belew wanted to make a record that sounded like Picasso had painted it. He wanted to work in the recording studio the way a painter would work in his studio. It’s really one of the best things ever put on vinyl, just for sheer bravery alone. There was a Japan-only CD release out, and some tracks are included on the ‘Desire Of The Rhino King’ best-of CD which is considerably easier to find.
I also made it through Mkhail Ippolitov-Ivanov’s ‘Caucasian Sketches,’ which is side 1 of a record on on the Turnabout Vox label, which I think is out of Spain. It was performed by the Music For Westchester Symphony Orchestra, conducted by Sigfried Landau. That is to say, this guy:
I got this album at a thrift store a while back, and I’ve never even listened to side 2, which is excerpts from Reinhold Gliere’s ‘Red Poppy’ ballet. I got the record because the very end of a film called ‘Akira Kurosawa’s Dreams’ has a beautiful scene of a flowing river, with an idyllic moment from ‘Caucasian Sketches’ playing on the soundtrack, and I wanted to hear the whole thing. But I wasn’t obsessed with it or anything, so I didn’t rush right out to get a good performance. I eventually found this record for $.50. “‘Caucasian Sketches?’ Why does that ring a bell… Oh yeah!”
It’s an abysmally poor recording, so poorly mastered that the last movement actually speeds up and slows down over and over, just a little bit. It’s like listening to a comedy routine. Let’s see what side two brings. And I’ll get to Marillion. ![]()
The mark of quality, and stretched signal-to-noise ratios:
Update regarding Reinhold Gliere’s ‘Red Poppy:’ Look, dude. There’s already a Richard Wagner, OK? And there’s already an Igor Stravinsky, and a Claude Debussy. Right? And I’m sure they love that you’re ripping them off, but I don’t.


