Ok, so a break from the van updates.
The Xanga Film School Severn Darden Retrospective commences.
Last night was ‘Vanishing Point,’ which is a very cool expression of an existential urge to just start driving really fast and outrun any cop that tries to catch you, no matter where you’ll end up.
Our pal Severn plays J. Hovah, a preacher out in the desert. He has maybe a minute of screen time, but he has a certain charisma, even with this non-role.
The movie itself is a pure American thing. It takes place in the vastness of the American west, between Denver and San Fransisco. The star of the movie is a white 1971 Dodge Challenger, and there’s this guy driving it called Kowalski who’s a Vietnam Vet, an ex-cop, and now a cross-country auto delivery driver and speed freak.
We also meet another major character: Radio DJ Super Soul. Super Soul’s broadcast magically covers the entire western half of North America, and he’s guiding Kowalski, telling him where the cops are and offering moral support on the journey. The communication between them takes on an ESP quality, and the director’s commentary confirms this idea.
The plights of these two rebels begin to parallel each other… The blind, black Super Soul struggles through the bigotry of the tiny white town where his broadcast originates, and Kowalski just wants to get home and these cops keep trying to stop him.
This movie came out in 1971, and ultimately, it tries to signal the end of the ’60s optimism. The cops don’t get Kowalski, but self-destruction does, and all the Super Souls are left without a hero. Kowalski never quite makes it to his shining dream of counter-cultural home.
And Severn Darden is in it. And there’s a remake from 1995 with Viggo Mortensen as Kowalski. I’ll have to pick that up for an A/B comparison.
Last night was ‘Vanishing Point,’ tonight was ‘Goldstein,’ a very strange tale told with occasional brilliance.
Darden plays The Doctor, an abortion doc traveling from city to city, summoned by rich people with a problem to solve.
I can’t even remember why the woman had the abortion, and I just watched the movie. I think she hated her husband, the sculptor, who one evening saves the life of an old man who just happens to look exactly like his father, and then accidentally kills the guy who was trying to kill the old man. The old man runs off, and the sculptor ends up obsessed with him, trying to find him again.
I think this movie is supposed to be about the emptiness of all motivations (he never finds the old man, and is a fool for trying), but it’s also a platform to help start up the careers of members of Second City. (The film is shot in Chicago.) A lot is obviously improvised, and it’s very uneven and poorly edited. But there are moments… Overall, however, unless you’re a serious student of film, you can pass this one up.
But Severn Darden is in it. He’s pretty funny in a dour sort of way, riffing with his assistant, debating art history while performing an abortion. An on-screen abortion procedure in a film from 1965, by the way. Edgy stuff.