My housemate had rented ‘Bewitched,’ the TV sitcom vehicle with Nicole Kidman and Will Farrel. She watches movies while she works. Tonight she was making clamshell boxes for storing books.
So I’d watch this insipid movie for a while, and then watch her crease the cloth, and then trim it, and then I’d watch the movie for a little while, and then watch her glue the cloth to the cardboard…. And so on.
As mind candy goes, there’s very little to criticize about ‘Bewitched,’ as long as the audience is full of adults who happen to also be three-year-olds. Or perhaps stoned. I won’t go over the plot, because I’ve forgotten most of it, and I don’t really care, and you don’t either.
But there is one phenomenon I want to discuss, and that is what I call the Komedy Koan. I spell it with a ‘K’ because it’s komedy. My theory of comedy is that there are two kinds of things that make you laugh:
1) Situations. Situational comedy, like a sitcom, for instance. I actually include observational comedy and joke-telling in this category, because they’re all based in real-life situations. It’s the comedy that comes from people’s foibles, wacky situations, something funny that happened on the subway. That kind of thing. Situational comedy requires storytelling. The guy has to slip on the banana peel *after* the construction worker drops it there. The punch-line comes at the *end* of the story, after the set-up.
2) Mindfuck. This is the Komedy Koan. Some things short-circuit your brain. They seem to come from another plane of existence. It’s like a science fiction story where some aliens have a zap gun that makes you laugh at something that shouldn’t be funny. They point it at you and ZAP, you’re laughing at something and you don’t know what the joke really was, or if you do, you don’t know why it should be that funny. There’s no story, no punchline, no set-up. Just ZAP! You’re laughing!
And I bring up this distinction because most of ‘Bewitched’ is a situation comedy. In fact, it’s a situation comedy about a TV situation comedy. And on this level, it fails miserably by pretty much any metric, although I have to say I wasn’t stoned at the time, so maybe that’s what it really needs. But there is one moment of Komedy Koan within this movie, and it comes from Will Farrel, and it has to be an improv. I refer, of course, to, “SHERPA!”
So “SHERPA!” saved this movie as far as I’m concerned. It’s OK that this movie full of empty calories was produced, because it has that one moment. If I were to watch it again, it wouldn’t be funny. If you rent it to see what I’m talking about, I’ll have ruined it; you’ll be thinking too much. Don’t even try.
I mean, seriously. Don’t try. Don’t rent it.